
Season’s Greetings!
may your days be filled
gratitude / warmth / abundance
clarity / peace
in solitude or with loved ones
~
Karyn


Season’s Greetings!
may your days be filled
gratitude / warmth / abundance
clarity / peace
in solitude or with loved ones
~
Karyn


The story–originally published in PicFic December 2009–
was recently republished in the new Folded Word Press paperback anthology,
On a Narrow Windowsill: Fiction and Poetry Folded onto Twitter.
Now, the anthology is also available as an e-book, here, here, and here.
~
Are you an indie publisher? Want to learn the art of converting
“a highly formatted literary book from print to .epub to .mobi in one smooth workflow”?
If so, sign up for FoldedWord’s free tutorials. They’re willing to share what they know…
Join the lessons by dropping a note at this address:
editors [at] foldedword [dot] com
In the subject line, type “exPRESS”.
~
The original ‘Happy Holiday’ blog notes are here, with poll questions included.


This is my inflatable tree, courtesy of opera diva Barbara Thorson.
Takes less than 2 minutes to fill it.
Now that end-of-term grades are in,
it’s a quick-n-easy way for me to mark the shift in seasons.
What kind of tree do you have?
Somehow, I’ll bet it’s not like this one.
Feel free to post links to your tree photos in my comment box.
I’d love to see them…


Still under water, grading final exams, but the end is in sight.
Also in sight is another trip to the Upper Hot Springs in Banff.
Wonder if it’ll be cold enough for hair to freeze?
Icicle hair while soaking would be sweet…


There I am, relaxing on pink, at Vienna’s Museum Quarter back in June 2010.
Dorothee Lang snapped the photo.
She captured Andy Warhol in the background watching over me …

Small discoveries are exciting…
A year ago, the Winter 2009 issue of The Battered Suitcase was published online. In it, a story I wrote called The Secret (he thinks) He Keeps. Today, I saw the issue available as an eBook ‘Kindle Edition’ at amazon.com
If your into eBooks, check it out.
The issue is filled with poetry, non/fiction, interviews and art that examine:
“life in all its lovely ambiguity, grittiness, glory and despair…relationships as a means for transformation and the complexity of the human psyche”.
Blog notes that accompanied last year’s publication–poll questions included–are here.
It’s so nice to revisit this work, and to see it available in a new form ~

Grab onto the railing…underwater massage
with jets in all directions. Thermal bubbles like this are
commonplace in Hungary. Hot springs in Canada
don’t feature these contraptions.
Wonder why that is?






I don’t speak Hungarian. I certainly don’t read it.
For some things, though, I didn’t seem to need it.
That was in May 2010.

Prepared for Edition #2 of the BluePrint blog carnival >Language>Place.
It’s hosted by Hong Kong-based author and journalist Nicolette Wong.
The direct link to the carnival is here.
I’m thrilled to have a picofiction of mine featured in the new Folded Word anthology:
On a Narrow Windowsill: Fiction and Poetry Folded onto Twitter
The editors?
J.S. Graustein (California) and Rose Auslander (New York)
.
Here’s what they say about the collection:
Written on four continents and read on six, the works in this anthology celebrate the birth of a new literary form: the tweet. Ironically, the 140-character limit of the Twitter platform has inspired new and veteran writers alike to stretch traditional boundaries. Some experiment with abbreviated poetic forms. Others create back-story through innuendo. All make every word—every character—count. This collection introduces 43 of these pioneers who venture out each day onto text’s narrow windowsill.
~
Geographically dispersed writers featured in the anthology include:
meika loofs samorzewski, S. Kay, Nora Nadjarian,
Nathalie Boisard-Beudin, Christian Ward, Rose Auslander,
Amanda Lawrence Auverigne, Ashley Baldon, Mel Bosworth, Eric Burke, Opal Castmin,
Andrew Dobbs, Kaolin Imago Fire, Jay Flemma, F.I. Goldhaber, Joel Handloff,
Michael Lee Johnson, Beth Katte, Karyn Eisler, Peter Keller, Robert Laughlin,
Ellaraine Lockie, Jenny McFadyen, Joanne Merriam, Derek Osborne,
Joseph Patrick Pascale, Cynthia Reeser, Michelle Ristuccia, Stephen D. Rogers,
Linda Leedy Schneider, Nate Sullivan, Jennifer Tatroe, Patricia Wellingham-Jones,
Ben White, xTx, Changming Yuan
~
Here’s an Orange Alert review of the anthology.
~
Want one?
Order it here, here, here, or here.
~
75% of the profits will be donated to Doctors Without Borders.


Winter approaches. Perennials die–become unrecognizable.
Here’s the question:
The plant in the photo above is/was a _____________. Read the rest of this entry »

Cold November days make vibrant flowers fade from memory…
What fades in November for you?

A new BluePrint project just went live–it’s a delight to be included:
It’s a blog carnival that explores connections between language and place. This carnival–the first in a series–is showcased on virtualnotes: the blog of BluePrintReview editor Dorothee Lang.
To enter the carnival, click the image:
In Lang’s words, the carnival works like this:
there’s a given theme, and to join, you put up a related blog post…send the link to the host of the carnival who then puts together a central page with links to all participating blogs…if you click through it, you get to visit the different blogs, with additional content in them…here’s a blog carnival definition.
She also describes the carnival theme:
anything that connects to language and place…a personal note, a poem, photography, a travelogue, a memory, a video, a flash story, a moment of (mis)understanding…
My blog post about Flight 493–a language-place publication–is included in this first edition, along with posts of over 20 contributors from various points around the globe–from Alaska to Finland to Greece and Switzerland; Hong Kong to London to India and Jerusalem.
Do you have something to say–or show–on the topic of language and place?
If so, a call for submissions for the upcoming carnival is here.

A fresh word/image combo is live in ‘just a moment’–BluePrintReview’s companion blog that publishes ‘moments’ of various kinds on a rolling basis between regular issues.
Here’s the link:
(Hungarian) sanitarium / just a moment
I took the photo poolside, penned those words, while keeping the company of
health tourists in Hévíz as I contemplated the meaning of life and gained perspective on
time and age.
~
Previous works that have appeared in ‘just a moment’ include olympic (dis)comfort zone and East Vancouver Detours. While you’re there, consider scrolling through the archive of literary news and slices of life expressed through words and images by a variety of international contributors.

This is the only traffic I encountered along the 5 km stretch of forest
that connects Hévíz to Keszthely, Hungary.
Before heading down the pathway, I asked a local woman:
Any wild animals that should concern me?
No, she said, then laughed, and looked at me funny.
~
For more on Hévíz, go here, here, and here.


……..leaves of orange
……………………………………………………. trick or tree
………………………………………………………………………………………………dressed this morning

Three words.
What’s amazing in your world?


Crack of dawn, Canadian Thanksgiving,
westbound Trans-Canada Highway #1, from Calgary to Banff, Alberta.
Drawn to the light in the sky, to the Rockies,
to the sulphates & bicarbonates, calcium & magnesium
that fill the hot springs on Banff’s Sulphur Mountain.

Felt like bathing in a mythical world, a place that I dream of often…

Water: 37-40° C / 100-104° F

Only downside: no bubble station …


Ever feel the need to detach from the web?
I do, every now and again.


The other day, my Toad Lilies blossomed.
Today, in the sun, my clematis re-bloomed.
Any fall faces in October for you?

I consider the shapes of actions and thoughts–how particular formations are often assigned either positive or negative value; how they are associated with either progress or regression; how the meaning of things–shapes included–are situated within cultural and historical contexts.
I focus my musings on squares and circles–linearity and circularity, respectively. I carve my thoughts into a micro-text–List(less). It appears in unFold–a California-based Twitter-zine edited by Rose Auslander and published by Folded Word Press. The zine features “poems/stanza’s in 140 characters or less”.
Here it is:

Trees, the forest, the view from my room in the Hungarian spa town of Hévíz.
Every day, for 21 straight, these birds broke my sleep at 4 in the morning.
Wonder what they’re saying…
~
Prepared for Festival of the Trees–
a monthly blog carnival for all things arboreal.
Festival #52: Healthy Curiosity


Just started language lessons. Beginner Hungarian: Level One. Five students total, me included.
Some details about the participants:
One just completed a 6 week language intensive course in Budapest, two others are married to Hungarians with whom they can practice, the fourth is taking Hungarian because she’s curious how the language compares to the 10 other tongues she’s already mastered. They all have an edge, but I’m not deterred.
I have my work cut out for me, no question about it. Homework–of course. Slowly and surely, though–with effort and patience–I’ll crack this nut. Indeed, I will.
Wish me luck!

This bird sang for me on a May day in Hungary.
I was strolling streets aimlessly in the spa town of Hévíz.
Any idea what kind of bird this is?

A burgeoning project on flowers and culture splits in two…
One half morphs into POP UP Poptagon–a collaboration with Dorothee Lang, published in Locus Novus last year. The other half starts with a query from Dorothee, who mails from Germany to my office in Vancouver.
“Shall we write some poems now?” she asks.
Words are crafted, then stored in a file. I travel to Calgary–work with designer Lawrence Eisler on illustrations to accompany the text. Meantime, back in Germany, Dorothee is curious about literary hypertext–she’s engaged in consultations with U.S. hypertext author Susan Gibb.
I eventually leave Calgary; return to Vancouver with a series of illustrated poems in hand. Dorothee–stoked about what she’s learned from Susan–writes, “Want to turn these poems into hypertext?”
“Why not?” I write back.
We craft more illustrations and poems, and, inevitably it’s more complex than that, but at the end of the day, here it is:
(R)Evolution: Wheelhouse Magazine
a hypercosmos by D. Lang + K. Eisler + L. Eisler
Dorothee’s virtual notes on the process are here.
A review of (R)Evolution in Hypercompendia.
Note: He’s my brother, not my husband, if you’re wondering who Lawrence Eisler is.
~
Wheelhouse Magazine is a publication of the Wheelhouse Arts Collective: “a collection of wayward artists, many of whom are progressive activists, labor unionists, and dilettantes, stuck inside the cramped confines of a seafaring vessel’s main cabin. Luckily…We know where we’re going: towards land, specifically a land where art is defetishized (not appreciated but wrestled with) and politics is a civic duty, where the New Yorker is not the arbiter of literary history (and no, it’s not necessarily Canada). We come from New York, Philadelphia, the Midwest, and abroad. We cling together in cyberspace and are bounded by the covers of our books.”

Morning greets me with crisp air and fresh Toad Lily blooms.
In your yard, are there any bursting blossoms for you?

swimming sideways at harrison hot springs
a balmy august evening at 10 pm
reverence / luminescence
waves of light
~
Prepared for Language/Place Blog Carnival #8: The Poetry of Place.
A few words from host Walter Bjorkman > here.

Not long ago, I wrote about the human practice of assigning homo-sapiens the names of non-human animals.
Now, in a ‘stone’ called ‘Catch & Release’, I offer a cross-species sporting reference to a mate-selection ritual used by some individuals. The 22 words–in all their glory–appear in the U.K.-based web-zine A Handful of Stones. According to editor Fiona Robyn, a small stone is a very short piece of writing that precisely captures a fully-engaged moment.
To read ‘Catch & Release’,
click the fish below:
A note about the image: I captured it while staring through water, looking down at a pond, standing on the bridge behind Festetics Castle in Keszthely, Hungary–the place where ‘Catch & Release’ was conceived.
And a question:
Do you use non-human animal references to describe assorted human activities and practices?

Two photos of Hévíz, Hungary are featured in the September issue of elimae. I took the photos of the lake in broad daylight back in May–the water was warm; centigrade, about 33 degrees.
Here’s the link → Lake Hévíz, Hungary
And below, a MicroMoment I captured the same day:
In case you’re wondering, the correct pronunciation of elimae is el–ee-may. It stands for ‘electronic literary magazine’. It’s been around since 1996, features creative writing and occasional images, boasts an elegant minimalist design, and is currently published under the joint editorship of Cooper Renner and Kim Chinquee in the U.S.
.
Alternative to a conventional bridal shower?
A tropical feast with Polynesian dance lessons for friends …
Play videos simultaneously to join the party:
Instructors above ↑ Guests below ↓
Flowers in orange and yellow and pink.
No footage of roasting pig, though.

Sometimes I marvel at global connections:
I draft a poem in Hungary. Polish it in Canada. It’s accepted for publication in an international journal based in Germany. It appears alongside a photo by Claire Ibarra who splits time between the USA and Peru.
Now, the poem and the photo it’s coupled with are digitally available around the world.
Here it is → dinner for 2 in Vacation town
And a link to the collection → BluePrintReview #25: the two² issue
The cast of geographically dispersed authors and artists in the issue includes:
Michael K. White, Marcia Arrieta, Ray Scanlon,
Michael Brandonisio,Eckhard Gerdes, Molly Sutton Kiefer,
Linda Simoni-Wastila Z.Z. Boone, Changming Yuan, Kirsty Logan,
Michelle Elvy, Rose Hunter (+more), Kim Keith,
Susan Gibb (+more), satnrose, Jean Morris, bl pawelek
Sheldon Lee Compton, Smitha Murthy,
Jeff Crouch, Brad Rose, Steve Wing (+more),
Suzanne Marie Hopcroft, Tyler Cobb, Justin Kern
Karyn Eisler, Claire Ibarra (+more)
~
What kinds of connections inspire you?


Always been curious about the High Arctic.
Hadn’t occurred to me I’d fly atop it on my journey to Europe.

After a nap, I look out the window–ice floes everywhere.
Baffin Island. Baffin Bay. Greenland. Norwegian Sea.

In-flight TV monitor reads:
Minus 86 degrees celsius at over 35,000 feet.

Go here for more on Flight 493.

I have a new image up in Referential Magazine–a place where literary and visual artists connect their creations to work already published in the journal.
My photograph–Red/White/Blue–refers to Annmarie Lockhart’s poem with a similarly colored, yet differently punctuated, title: ‘Red, White and Blue’. The title of Lockhart’s work, and the poem itself, brought to mind my image, sitting in neutral, hiding in my archive, all but forgotten. Now, I’m happy to say that our works live together on a page of their own. Here’s the link:
Red/White/Blue [Eisler] + Red, White and Blue [Lockhart]
The image has roots in the ever-changing painting below–a work in perpetual progress like a chalkboard with spontaneous additions and deletions whenever I feel inclined to play with it. It hangs behind me on the wall in ‘The Lab’ where I work.

The birthing details of Red/White/Blue?
One day, a while back, I took three detail photos of the painting, digitally morphed them beyond recognition, then put them together like a puzzle.


I look in awe at my surroundings,
move my head to the left, and see a man with a shovel:

“What’s with that?” I wonder.


My Variegated Algerian Ivy on a trellis. Slowly, it climbs; grows tall.
In which direction does your Ivy crawl?


Mountainside, yes. There’s a blue lake, too, on the other side of the windows and loungers and mineral-rich thermal spring pool.
There’s no question about it: I’m a ‘spa culture’ aficionado. I love massages and mud packs and anything else that might fall under the banner of ‘leisurely wellness’. A critical part of the equation for me is spending time soaking in thermal baths–commonly referred to as ‘healing waters’. Many stunning examples are found in Budapest–the (un)official ‘spa capital of the world’. The city’s thermal baths are featured in a video I posted recently here.
Having spent a full month in the hot springs of Hungary, I found myself missing my daily soaks. To remedy my mourning I took a look around to see what kinds of thermal waters flow through cracks in the earth’s crust closer to home. The photo above is one example of a B.C. public mineral pool. It’s located in the village of Harrison Hot Springs–just a 90-minute drive from the heart of Vancouver. I hopped in the car, made the trek the other day, claimed a lounge chair by the window, then soaked and relaxed the hours away.
Water temperature at source: a scorching 62.8°C / 145°F.
Water temperature in pool, cooled: a soothing 38ºC / 100°F.
While soaking, I met some Vancouver regulars who make the pilgrimage every week. A woman I spoke with told me her weekly visits have been part of her schedule for the past three years; a man I talked to said these waters have been a weekly habit for the past fifteen.
And a question:
In your part of the world, are there hot springs where you like to soak?

I find contradictions between morality and ethics interesting–those disconnections that sometimes exist between a person’s notions of right and wrong (or good and bad) and their daily practice of living. Another curiosity is the extent to which people shift their morality retrospectively in light of their behavior and decisions. I find these topics even more compelling when the forces of consumer culture are factored in.
I explore these curiosities in a Twitter length story–140 characters or less. It appears in PicFic–a California-based picofiction online magazine.
Here it is → The Fickle Consumer

When it comes to new publications, I typically write a few words in my blog — provide context; give the back story. Most recently, I did so here, where I detail how strangers in an airport terminal inspired ‘Flight 493’. Another example is here, where I explain how ‘(Re)Vision’ connects to a 70′s TV character and my childhood obsession with Jan Brady.
‘Drain’ is my third micro-story as PicFic’s Featured Contributor for July 2010. In terms of context, details, and back story — this one is different; I don’t offer any. Have a look. I’m sure you’ll understand …
Here’s the link → Drain


It occurred to me at Vancouver International Airport, while waiting for a Lufthansa flight to Budapest via Frankfurt:
Language is music — especially when I don’t understand it.
My question shifts from:
“What are they saying?”
to
“What image am I left with?”
Sitting there, surrounded by linguistic diversity, I pulled out my notebook and wrote my impressions. I honed and revised them while flying to Europe over the Canadian High Arctic, Greenland and Norway.
.
Now, those words appear in PicFic—an online Twitter Fiction journal.
It’s my second piece as PicFic’s featured contributor.
Here it is → Flight 493

This blog post is included in Issue #1 of the BluePrint blog carnival: > language > place.
It’s both an honor and thrill to be the invited PicFic Featured Contributor for July.
This means that four of my Twitter-length fictions will appear in PicFic this month, and also on the journal’s Twitter-feed — one per week.
The first in the series is entitled (Re)Vision. The direct link is → here.
Now that’s it’s published, I have a confession:
While (Re)Vision is certainly a story, it’s a bit of a stretch to call it fiction.
Why, you might ask?
Well, the source of (Re)Vision goes back to my childhood, my days in grade school, the era of 70’s television. And when it comes to 70’s TV, it’s no secret that ‘The Brady Bunch’ was IT for me. I blogged about it recently here.
Of all the Brady characters, Jan was my idol — something about her pensive look, her emotions, blonde hair, the braces, her glasses. Jan was cool. No doubt about it. I wanted to be her, so I did what I could:
pensive, emotional → no problem
hair → used a product called ‘Sun In’ to lighten my locks
braces → got them in high school; late, but better than never
glasses → this one took work …
Blinked my eyes incessantly. Closed them hard. Told my parents I couldn’t see. They took me to the ophthalmologist. He tested my eyes, and like clockwork, the plan worked…or so I thought. He said I needed glasses to solve the vision problem. But the blinking issue — a sign of allergies, he said — called for another course of action. He instructed my parents to:
Get. Rid. Of. Our. Dog.
That’s right.
When I confessed to my parents that all was a lie, that I could see very well, that I voluntarily forced the hard blinking, that I loved my dog…they didn’t believe me one bit.
So, I got the wire-rimmed glasses I wanted so badly but didn’t need. And our beloved dog, Scrubby, left our family–went off to a farm for good. We never held him again in our arms–all because of me (and Jan, of course).
Now back to my story Re(Vision):
Karma, perhaps?


Getting mail is cool. No doubt about it.
It’s even cooler when mail with my name on it contains something other than bills.
Take, for example, the package above — sent to me by California-based Folded Word Press Managing Editor, J.S. Graustein. The package contains two custom-made postcard bundles that unfold into a labyrinth of color-coded stories, written and made just for me.
Unravelled, they look like this: Read the rest of this entry »
I was thinking about childhood today, and wondered:
What made me happy as a kid?
I instructed myself to dispense with analysis and forget about critical thinking:
Why certain things put a smile on my face was less interesting than revisiting the sources of my bliss.
First thing that popped into my head:
The Brady Bunch
’70′s TV show / fictional family / a dog / a maid / 6 kids
I loved The Brady Bunch.
They made me happy, and their rendition of ‘Sunshine Day’ still makes me grin …

And a question:
What made you happy as a kid?
That day with my camera at Waterfront Station, standing on the elevated walkway, shipping yards and loading docks in the distance, I look down at the tracks, and think about choices and all that comes with them:
beginnings and endings, distractions, mergers and divisions …
I see the fabric of life:
challenges, happy accidents, well-worn patterns …
My photo entitled ‘Tracks’ appears in BluePrintReview #24 — the microcosmos issue.
BPR editor Dorothee Lang pairs the image with words by Vancouver poet Daniela Elza.
The direct link is here:
Tracks [Karyn Eisler] + The Math Ex.am [Daniela Elza]
NewPages.com describes BluePrintReview as “an online journal constructed to ease the complex and beautiful convergence of language and art and all the possibilities this entails.”
And a question:
When you see tracks, what thoughts come to you?

Inspiration for ‘Pop on Fire’ goes back a full year:
Last summer, POP UP Poptagon appeared in Locus Novus — an on-line journal devoted to the “synthesis of text and image and motion and sound”. The piece came together as a collaborative effort between myself and German artist Dorothee Lang. It was an exploration of the pop culture lexicon. At the time, anything and everything ‘pop’ related jumped out at me, including a ‘pop’ intensive window display for the Pop Opera on Hastings Street downtown. Here’s how it looked in its entirety:

None of the photos from my window display collection made it into that project, and I’d pretty much forgotten all about them — until now, when the memory of one of the display photos I’d taken came back to me while reading Jenny Billings’ poem entitled “Love at the Movies” in Referential Magazine. In the poem, the word ‘pop’ appears in one form or another three times:
once here: “you held the popcorn”
again here: “warm, fresh popcorn, wrapped”
and yet again: “red velvet seats popped”
When I made the connections I submitted a photo from the collection, and now it appears on the same page as Jenny’s lines.
There’s an introduction to the piece on Referential’s blog.
A direct link to the joint works is here:
Pop On Fire [Karyn Eisler] + Love at the Movies [Jenny Billings]

The music in the video conjures the feeling.
The images, but a morsel of the sights and experiences I am missing …
I am dreaming:
My luggage, still brimming, I hop in a taxicab, go back to the airport, and in less than a day, arrive back in Hungary, float in thermal waters, breathe the sweet air,
and stay, this time, forever …
Vancouver, as much as I love you,
I’ve got places to see and things to do …
But if time moves as quickly as the clouds in this video,
I’ll be back for you — or anyone else — can say: Read the rest of this entry »

For me, this was a first — a three-person, three-country, digital collaboration:
Dorothee Lang, Germany + Karyn Eisler, Canada + Susan Gibb, USA
The result?
Two visual poems published in Issue #17 of Otoliths:
an Australian-based “magazine of many e-things”.
Here’s the direct link: Induction/Deduction
Funny how this came together:
Dorothee and I were in the midst of a two-person collaboration on a hypertext project (still in the works), e-mailing back-and-forth. Alongside discussions about the mechanics of the project itself, we also shared thoughts about our creative process; our decision-making methods; the different forms of reasoning involved. Dorothee suggested these discussions might serve as the foundation for yet another project. And this is where Susan — a hypertext whiz we’d been consulting with — came in. From there, a three-way collaboration evolved.
Dorothee’s account of the process here. Susan’s account of the process here.
~
An interesting note about Otoliths:
Founding editor, Mark Young, publishes each online issue in book form.
Otoliths #17–the issue in which these images appear–is available here.
And a question:
In your creative process, which form(s) of reasoning do you use?


I ask myself:
What might a garden look like after midnight through tired eyes and dim light?
Kind of like this, I reply.
The discovery took place in my sandbox — VisuaLiving — while half asleep the other night.


Sweet fragrant daffodils, in full bloom, poke through astilbe leaves to say hello and ask:
Where are you?
The April Garden Party is in full swing.
There’s room for more, and it doesn’t matter where you live.
The point of the party is to share what is (or isn’t) growing in April near you.
For directions, and to see who’s arrived, follow this link.
Hope to see you soon!
Karyn
April is over and submissions are closed.
To all who stopped by to view and/or share, thank-you!
The April Garden Party photos are preserved. Have a look.


On the right is Molly Gaudry — author of We Take Me Apart and Flora The Whore. On the left is the PayPal poem she custom wrote for me for just $1.00.
Here’s the link:
The Mysterious Case of Nancy Drewblood for Karyn Eisler
[Unfortunately, the link to the poem is no longer available.
Wishing now I'd printed a hard copy for myself.]
~
While I’d like to think I’m special — the only person on the planet with the opportunity to trade tailored words for just a dollar — it’s not the case. For a whole host of reasons, Molly has made the exchange available to people other than me — to everyone, it seems. On her website she states:
“For $1.00, I WILL WRITE YOU A POEM and post it here and on our friend, Facebook … let’s call this enterprising, exciting, intriguing. Here are the facts:”
Yes, facts. She lists 23.
I first read about this a while back, but was reminded the other day when I saw a blog post about the poem she wrote for Dorothee Lang.
I wondered:
If I place a PayPal order for myself, what sort of poem will she craft?
She’d asked for guidelines; prompts; instructions. I didn’t give her much to go on:
“No special instructions. I’m thinking of this as an intuitive poem — one where you, the writer, will know exactly the words I need to read.”
Molly, thank-you for Nancy Drewblood’s promise of new vistas with each forward step.

On another note …
Molly has hatched a plan to do a Ph.D. Item #10 on her fact list reads:
“I will cast a net and apply to dream PhD programs, good PhD programs, and backup PhD programs.”
Drawing from experience, having walked that road myself, I figure that even with full funding and brisk poetry sales she’ll need plenty of cash. I think she ought to hike her rate from $1.00 per poem … to more than that.

Birthing blooms vines leaves, my window spring morning fresh, I see.
© Karyn Eisler, Vancouver, British Columbia, Canada
***
Your view?
Send video or 515 pixel-wide jpeg [or wider] to:
k_eisler AT telus DOT net
Words, name, link, location — please include.
Look forward to seeing what’s growing (or isn’t) near you!
April is over and submissions are closed.
To all who stopped by to view and/or share, thank-you!
Scroll down to see the April photos. They’re preserved.

↓
Karyn Eisler:
What is VisuaLiving?
Karyn Eisler:
my photo gallery
a kaleidoscope of color
a place to massage my visual memories
a sandbox where i play and have fun; a site to explore different image renderings
.
KE:
What is your starting photo?
KE:
my brother’s eyeball
***
KE:
I’d like to see your brother’s eyeball. Where is it?
KE:
on the flip side of this link
↓

Wonderful news …
The Curious Practice of Pet-Naming wins a 3Cheers Award!
The story appeared earlier this year in PicFic — a Folded Word Press Twitter-zine.
***
The other winners?
Gregory Sherl and Ben Nardolilli
***
The prize includes:
the video interpretation above ↑
the “blog bling” below ↓
and the honor, of course.
It’s so nice to hear someone else read my words …
A big thank-you goes out to voters and Folded Word’s California-based Managing Editor, J.S. Graustein.


A question for chalk artists:
Have you any idea of the joy you bring to passersby who
stop and look,
then smile at your creations,
before rain makes the beauty disappear?

Dorothee Lang is wonder woman — a whirling dervish of many worlds …
From her base camp in Germany, she swims through cyberspace under various banners including:
author, collaborator, experimental artist, photographer; BluePrintReview founding editor; international-group-writing-project coordinator; Second Tongue writing community co-founder; and, storySouth Award preliminary judge. On top of it all, she maintains her own website and blog.
While navigating cyberspace, she keeps her feet on the ground as CEO of BluePrintPress, author of the travel novel Masala Moments, and in transit — her hot-off-the-press short story collection. There are the cultures and roadways she explores away from home—in her travels of yesteryear, and on recent jaunts to Lanzarote, London, South France …
She also digs dirt in her garden, and grows flowers in spring, summer, fall…

Karyn Eisler:
How do you do it all? Read the rest of this entry »

Who owns this car? Who adorned it like this?
I want to see this person–how they decorates themselves.
I wait for a while, no one appears.
I don’t have proof, but assume they look like their car, the reverse, or something else …


Me:
“What was it like for you during the Olympics?”
Driver:
“It was good. I liked it. No grumpy people.”


I’ve written about secrets, and taken photos of paradox.
The challenge?
To combine these phenomena in a micro-story of 50 words exactly — no more, no less.
Not long ago, I observed a secret paradox close to home – it concerns business, humans, nonhuman animals, and eating habits.
The story appears in the weekly New Jersey-based e-zine 50 to 1. Editor, Glen Binger, “posts only 50 word stories and first line inspirational sentences that are meant to get the reader hooked ...”
Here’s the link → Secret Beef

It’s one thing to experience social life, another to describe it, and something different altogether to depict it visually.
I discovered Palindrome on the BluePrintReview blog just a moment. It knocked my socks off. I left a comment. Here’s what I said:
“So glossy and seductive like beautiful masks people wear at parties; masks that beg to be pulled off b/c of the compulsion to see who’s underneath …
… a fascinating visual depiction of sociology, of the ongoing tensions between self and society, and the ways in which identity is negotiated …”
To my words I’d like to add:
It represents the weight of expectation — of family, ethnicity, race, class, gender, socialization, education, religion, occupation, etc.
It also represents human struggle and the capacity for resistance …
***
The mastermind behind Palindrome is Isabelle Carbonell — a documentary photographer and filmmaker based in Washington, D.C.
Here’s how she describes her work:
“Palindrome is a “videopainting” about what society demands us to do as either immigrants or citizens: to assimilate. It is a palindromic painting about the mirror of identity, the multiple masks we offer in different settings, and our subconscious rebellion that emerges in times of epiphany.”
What does Palindrome represent to you?
What do you see?

Words: Father of the Suicide [David Jordan, USA]
+
Image: Reflect/Absorb [Karyn Eisler, Canada]
+
Matchmaker: Editor of BluePrintReview [Dorothee Lang, Germany]
=
THIS
unanticipated international collaboration in:
BluePrintReview #23 / (dis)comfort zones
How does the editor, Dorothee Lang, explain this particular coupling?
“the essay is about a painful subject: teenage suicide … and your water image has just the right mood: sadness, depth, a closing focus, things and thoughts underneath the surface”
I took this photo on the same day, from the same bridge, at the same time, save a moment or two, as the The Bow — an image that also appears in Issue 23, paired with Jennifer Jackson Whitley’s words on (addict)ion.
These word/image couplings provide a study in contrasts:
(addict)ion and suicide → two tales of discomfort;
and,
two photographs taken in Banff, Alberta, on a day when the mood was so different. It was such a happy day for my family and I; my mother’s birthday, my father and brother in attendance; all of us together, laughing, reminiscing, making moments of joy, memories of comfort …

Life is paradoxical; full of contradiction. The 2010 Olympics in Vancouver are no different.
McDonald’s and Coke are official sponsors; athletes are beacons of health and fitness. Many oppose the games; scores embrace them. Locals and visitors party in the streets; a competitor dies on the luge track in Whistler.
On opening day I see another paradox — an Olympic (dis)comfort, so to speak.
It appears in just a moment. The direct link → here.


Some people wish on stars, others on pennies.
Here’s a penny for penny wishers.
What do you wish for?


Some puzzling labels for humans are as follows:
Some men are teddy bears, some women are cougars, some people are pigs (regardless of sex), while others are simply called animals. In Animal Planet—a postcard story—Rose Hunter provides more examples.
Nonhuman animals themselves are the recipients of perplexing naming practices.
I explore this phenomenon in a Twitter-length fiction—140 characters or less. It appears in PicFic—the Twitter fiction wing of Folded Word Press.
Above, as it appears on Twitter.
And here, as it appears on the PicFic website: The Curious Practice of Pet-Naming

Another curiosity:
What have you named your companion animal(s)?

The Bow River, a view from the bridge, a blue afternoon in Banff, Alberta. Moss topped rocks promise rapid descent into the depths of the milky water. Inviting. Dangerous. Delicious. Repellent. These are the impressions I remember.
My photo of The Bow appears in BluePrintReview, where founding editor Dorothee Lang seeks “unexpected connections between texts and images from unrelated places.”
In Issue 23: (dis)comfort zones, she couples the photo with a Georgian author’s words on (addict)ion — Jennifer Jackson Whitley’s tale of desire and cautionary, yet reckless, compulsion.
For The Bow/(Addict)ion → go here
NewPages.com describes BluePrintReview as “an online journal constructed to ease the complex and beautiful convergence of language and art and all the possibilities this entails.”
A link to the entire (dis)comforting collection → Issue 23: (dis)comfort zones


The Six Sentences [6S] submission guidelines are as follows:
Length: “six consecutive sentences”
Title: “should be no longer than 36 characters, including spaces (because 6×6=36)”
Response Time: “all submissions will receive a response within six days”
Clearly, Robert McEvily — “creator and editor of the NY Times recommended writing site Six Sentences” — likes the number six. Figured it might be fun to embrace his challenge of 6′s, so I did. In six short sentences I explore the complexities of money and work.
Here it is: The Psychology of Labor

And I wonder:
If a woman, not a man, was the focus of the story, would the zone of depression be reversed?

Was chatting with a fellow passenger on the Canada Line. He offered to sell me four tickets to the Winter Olympic Games Opening Ceremony. Great seats: third row from the front at B.C. Place. He bought them for $1,100.- each when they first went on sale. The intent was to re-sell for a profit.
Now he’s asking $1,600.- per ticket. It’s easy math: $2,000.- in his pocket if he unloads them for the price he asks. Thing is, the Opening Ceremony is under three weeks away. He’s having trouble selling. He’s advertised on craigslist and registered his tickets with the VANOC resale site. But so far, he says, no takers …


I open the mailbox, pull out the contents, ask a question:
“What’s this?”
“Repetition in a different world,” I say.
“I know (this). I’ve seen these ‘wind words’ before, up close on the computer screen, at a distance. And now, here they are in my hands to touch.”
***
It’s an airmail postcard from Dorothee Lang: German author, artist, poet.
On one side, an image from ‘Lung Ta (wind words)’, introduced to the world in the recent ‘Words of Power’ issue of the online experimental journal qarrtsiluni.
On the other side, a micro-text entitled (this), which appears in A Handful Of Stones: a cyberspace journal that celebrates “the extraordinary in the ordinary”.
Virtual and tangible realities intersect for me as I experience the same words and photographs in different ways, in different worlds.
***
“Is either world, either experience, more real?” I ask. 

The ambiguity makes me wonder:
Is the fundraiser for Haiti disaster relief?
or
Did the earthquake in Haiti spark fear in Vancouver,
and efforts to stockpile emergency funds for when
The Big One
shakes the Canadian west coast,
which we’re told is inevitable?
