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Archive for the ‘About Hybrid Works’ Category

POP UP: a poptagon

In About All Publications, About Hybrid Works on 10/28/2012 at 05:20

Another trip down memory lane; another collaboration with Dorothee Lang. ‘POP UP poptagon’ went live in Locus Novus on September 22nd a few years back.  The day/month strikes me as significant in more ways than one: My long-time animal companion died on September 22nd this year. The passing was, and still is, sad. The project, however, was floral and fun: “a collaborative exploration of the pop culture lexicon as it pertains to four overlapping processes that set and keep pop culture in motion: distribution, commodification, (re)production, and consumption”.

 Here’s the link:

POP UP: a poptagon / Locus Novus

Thank goodness for Dorothee’s blog notes. They contain email excerpts that remind me of how the project began. She wrote:

it started with some images of backyard flowers sent back and forth as mail additions. then came some floored peonies. and a tossed thought in a mail:

“here, a rain front washed through. the peonies are floored. i just was outside, trying to perk them up a bit. picture to follow.
we could start to work on a flower-collaboration ;-)”
– d.

For the full blog post, and my response to her suggestion, go here.

Locus Novus features projects that synthesize text, image, motion, and sound.

Dealing with Family & Friends

In About All Publications, About Hybrid Works on 10/23/2012 at 16:41

A trip down memory lane recalls my first collaboration with German author / artist Dorothee Lang—a 2009 cross-disciplinary project that appears in the online journal qarrtsiluni. The quasi-mathematical formula is as follows:

audio + visual + fiction + theory + stamp
=
Dealing with Family and Friends

The project evolved over a game of email volleyball; a series of back-and-forth tosses that began with the lines that now appear on the photo. Image selection was next. Then came the postage stamp. The fictional theoretical story followed. Audio-recording of the words came last. Somehow, we pulled it together, without any conscious road map or plan.

In addition to the online publication, the project is included (without audio) in qarrtsiluni’s print anthology entitled:

Economy

~

Dorothee’s notes on the process are here.

the lake: Referential Magazine / MOVING POEMS / The #poems Daily

In About All Publications, About Hybrid Works, About Image Works, About Word Works on 04/01/2011 at 17:42

I’m pleased to report that my videopoem ‘the lake’ made the rounds…

It first appeared in ‘Referential’–a magazine that publishes referential literary and visual art. I submitted the piece, referring to the words ‘the lake’ that appear in a poem by Teresa Stores:

the lake > Referential Magazine

After the initial publication I discovered–by accident–that ‘the lake’ was featured in the media section of  ‘The #poems Daily’.  I’d mentioned the initial publication on Twitter and ‘The #poems Daily’ picked it up:

the lake > The #poems Daily

It wasn’t long before I stumbled across another republication of ‘the lake’. This time, in ‘Moving Poems’–a video poetry anthology that features “the best video poetry on the web”. Needless to say,  it’s a thrill to have my work featured alongside the likes of Cecilia Chapman and Alastair Cook:

the lake > Moving Poems

~

Last year, two photos I took of the lake appeared in ‘elimae:’ Lake Hévíz , Hungary

~

same lake / same time /same place

(R)Evolution: Wheelhouse

In About All Publications, About Hybrid Works on 09/18/2010 at 03:26

A burgeoning project on flowers and culture splits in two…

One half morphs into POP UP Poptagon–a collaboration with Dorothee Lang, published in Locus Novus last year. The other half starts with a query from Dorothee, who mails from Germany to my office in Vancouver.

“Shall we write some poems now?” she asks.

Words are crafted, then stored in a file. I travel to Calgary–work with designer Lawrence Eisler on illustrations to accompany the text. Meantime, back in Germany, Dorothee is curious about literary hypertext–she’s engaged in consultations with U.S. hypertext author Susan Gibb.

I eventually leave Calgary; return to Vancouver with a series of illustrated poems in hand. Dorothee–stoked about what she’s learned from Susan–writes, “Want to turn these poems into hypertext?”

“Why not?” I write back.

We craft more illustrations and poems, and, inevitably it’s more complex than that, but at the end of the day, here it is:

(R)Evolution: Wheelhouse Magazine
a hypercosmos by D. Lang + K. Eisler + L.  Eisler

Dorothee’s virtual notes on the process are here.

A review of (R)Evolution in Hypercompendia.

Note: He’s my brother, not my husband, if you’re wondering who Lawrence Eisler is.

~

Wheelhouse Magazine is a publication of the Wheelhouse Arts Collective: “a collection of wayward artists, many of whom are progressive activists, labor unionists, and dilettantes, stuck inside the cramped confines of a seafaring vessel’s main cabin. Luckily…We know where we’re going: towards land, specifically a land where art is defetishized (not appreciated but wrestled with) and politics is a civic duty, where the New Yorker is not the arbiter of literary history (and no, it’s not necessarily Canada). We come from New York, Philadelphia, the Midwest, and abroad. We cling together in cyberspace and are bounded by the covers of our books.”

Induction/Deduction: Otoliths

In About All Publications, About Hybrid Works on 05/01/2010 at 18:27

For me, this was a first — a three-person, three-country, digital collaboration:

Dorothee Lang, Germany + Karyn Eisler, Canada + Susan Gibb, USA

The result?

Two visual poems published in Issue #17 of Otoliths:
an Australian-based “magazine of many e-things”.

Here’s the direct link: Induction/Deduction

Funny how this came together:

Dorothee and I were in the midst of a two-person collaboration on a hypertext project (still in the works), e-mailing back-and-forth. Alongside discussions about the mechanics of the project itself, we also shared thoughts about our creative process; our decision-making methods; the different forms of reasoning involved. Dorothee suggested these discussions might serve as the foundation for yet another project. And this is where Susan — a hypertext whiz we’d been consulting with — came in.  From there, a three-way collaboration evolved.

Dorothee’s account of the process here. Susan’s account of the process here.

~

An interesting note about Otoliths:

Founding editor, Mark Young, publishes each online issue in book form.
Otoliths #17–the issue in which these images appear–is available here.

And a question:

In your creative process, which form(s) of reasoning do you use?